Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
Landscape with Cows (1965)
oil on board - 32h × 40w (cm)
The 60s saw a great release in Richard’s technique, recapturing his youthful zest but with a mature and sure touch.
Cottage In Wales (1953)
oil on canvas - 41h × 51w (cm)
This picture rewards close examination of all the detail. It is a wonderful celebration of ageing corrugated iron and the colour range there. There is a simple delight in the cottage itself with its open door and the man obviously pushing a wheelbarrow, the dog in the yard, the rabbit in its hutch and the landscape on the left of the house carries the viewer further into the picture.
Broken Tree (1926)
oil on canvas - 34.4h × 39.2w (cm)
Richard cites the only two painting lessons he had as a teenager where he was instructed to 'put the paint on and leave it!' This is evidence that he is heeding these words.
Girl with Dogs (1990)
oil on board - 25.5h × 46w (cm)
Trees (c1990)
oil on board - 15.5h × 30w (cm)
Self Portrait with Wife (c1990)
oil on board - 28h × 32w (cm)
The Forest (c1990)
oil on board - 28h × 32w (cm)
Winter Forest (c1990)
oil on board - 45.5h × 52.5w (cm)
The Day Out (c1990)
oil on board - 46.5h × 61w (cm)
Solitary Figure in Woodland (c1990)
oil on board - 60h × 70w (cm)
The House in the Wood (1989)
oil on board - 14h × 46w (cm)
River Wharfe, Ilkley (1989)
oil on board - 45.4h × 61w (cm)
River Wharfe Ilkley (1989)
oil on board - 40h × 53w (cm)
The Edge of the Woods (1989)
oil on board - 7.6h × 40.6w (cm)
The Noads, New Forest (1989)
oil on board - 45h × 60w (cm)
Garden Figure (1989)
oil on board - 14.5h × 35.5w (cm)
The Bonfire (1989)
oil on board - 25.5h × 28w (cm)
Adam and Eve (1988)
pencil on paper on board - 37h × 44w (cm)
Low Tide Beaulieu River (1988)
oil on board - 53.5h × 74w (cm)
The Landing (1988)
oil on board - 45.7h × 61w (cm)
River Wharfe, Ilkley (1988)
oil on board - 17.78h × 27.94w (cm)
New Forest (1987)
oil on board - 42h × 82w (cm)
Blue Sky Through Trees (1987)
oil on board - 25h × 29w (cm)
From our Bedroom Window (1987)
oil on board - 59h × 75w (cm)
Ponies in the Snow (1987)
oil on board - 40.6h × 61w (cm)
Garden No.2 (1987)
oil on board - 32.5h × 11w (cm)
The Rainbow (1987)
oil on board - 11.5h × 33.5w (cm)
Forest Trees (1987)
oil on board - 30.5h × 36.8w (cm)
Last of the Snow (1987)
oil on board - 32.5h × 41.5w (cm)
Storm, New Forest (1987)
oil on board - 41.9h × 91.4w (cm)
Autumn Sunset (c1987)
oil on board - 39.5h × 60w (cm)
Romsey, Autumn (1985)
oil on board - 33h × 30w (cm)
Greenham Common (1985)
oil on board - 41.8h × 53.5w (cm)
Blizzard (1985)
oil on board - 30.3h × 33w (cm)
The Wharfe at Ilkley (1985)
- 29.2h × 35.6w (cm)
Man on Fire (1985)
oil on board - 32h × 37w (cm)
The Cloud (1984)
- 61h × 81.3w (cm)
Edge of the Forest (1984)
oil on board - 36.6h × 60w (cm)
An Orchard (1984)
oil on board - 25.6h × 35.2w (cm)
Early Autumn, New Forest (1984)
oil on board - 77h × 57w (cm)
The Burning Bush (1984)
oil on board - 80h × 121.5w (cm)
Stampede (1984)
pencil and wash on paper - 28h × 61w (cm)
Landscape (c1984)
- 40.6h × 50.8w (cm)
Old Cemetery, Portland (1983)
oil on board - 36.5h × 60.5w (cm)
Spring in the Noads (1983)
oil on board - 30.5h × 40w (cm)
Fog, Beaulieu Road (1983)
oil on board - 30h × 40w (cm)
Shadowed Landscape (1983)
oil on board - 19h × 45w (cm)
Green Glade (1983)
oil on board - 60h × 60w (cm)
Garden Fence (1983)
oil on board - 25h × 23w (cm)
The Shroud (1983)
oil on board - 40h × 29.5w (cm)
Cleaning the Crucifix (1983)
oil on board - 36.8h × 26.7w (cm)
Our Back Garden (1983)
oil on board - 55h × 75w (cm)
The Swing (1983)
oil on board - 23h × 30.5w (cm)
Tea in the Garden (1983)
oil on board - 40h × 60w (cm)
Sundown (1983)
oil on board - 15.24h × 35.56w (cm)
Edge of the Wood (1983)
oil on board - 20h × 20w (cm)
Trees, Summer (1983)
oil on board - 44.5h × 60w (cm)
Kemp's Cottage (1983)
oil on board - 45.7h × 61w (cm)
Evening, High Summer (1983)
oil on board - 61h × 75w (cm)
The Hog's Back (1983)
oil on board - 45.7h × 61w (cm)
From my Studio Window (c1983)
oil on board - 35.6h × 30.5w (cm)
Winter Seascape (1982)
oil on board - 75h × 127w (cm)
The Goal Post (1982)
oil on board - 34.5h × 50w (cm)
Birches and Undergrowth (1982)
oil on board - 64h × 76.5w (cm)
Green Summer, New Forest (1982)
oil on board - 40.6h × 61w (cm)
The Camp (1982)
oil on board - 19.5h × 29w (cm)
The Branch Line (1982)
oil on board - 35.5h × 59w (cm)
Dark Avenue (1982)
oil on board - 19.5h × 24.5w (cm)
Bridge on the Wharfe (1982)
oil on board - 40.6h × 60.9w (cm)
The Avenue (1982)
oil on board - 22.5h × 21w (cm)
The Gas Works, Ilkley (1982)
oil on board - 39.5h × 60w (cm)
Forest Under Snow (1982)
oil on board - 46h × 63.5w (cm)
Bradford from Hawksworth (1982)
oil on board - 20.3h × 43.2w (cm)
The Noads (1982)
oil on board - 38.5h × 59.5w (cm)
Winter Morning, New Forest (1982)
oil on board - 34.3h × 44w (cm)
The Wharfe at Bolton Abbey (1982)
oil on board - 40.6h × 60.7w (cm)
The Cricket Match, Ilkley (c1982)
oil on board - 39h × 60w (cm)
Autumn New Forest (1981)
oil on board - 33h × 52w (cm)
Northern Hill Town (1981)
oil on board - 22.9h × 101.6w (cm)
The Sand Pit (1981)
oil on board - 41h × 61w (cm)
Autumn, New Forest (1981)
oil on board - 20h × 91w (cm)
Figures on the Moors (1981)
oil on board - 30.5h × 45.5w (cm)
The Monument (1981)
oil on board - 30h × 60w (cm)
Lovers in the Woods (1981)
oil on board - 28.3h × 37w (cm)
Beach Carnival (1981)
oil on board - 61h × 91.5w (cm)
Late Autumn, New Forest (1981)
oil on board - 50.5h × 86.5w (cm)
Autumn (Sketch) (1981)
oil on board - 9.5h × 50w (cm)
The Green Hill (1981)
oil on board (two boards glued together) - 17.5h × 37w (cm)
Wrose Hill, Bradford (1981)
oil on board - 30h × 45w (cm)
The Maze (1980)
oil on board - 56h × 59.5w (cm)
Rain Landscape (1980)
oil on board - 22.9h × 48.9w (cm)
Passing Storm, Wharfedale (1980)
oil on board - 40.7h × 91.5w (cm)
Beamsley Beacon (c1980)
- 17.8h × 38w (cm)
Snow on the Grazing Strip (1979)
oil on board - 12.5h × 36w (cm)
Chesil Beach (1979)
oil on board - 12.7h × 16.5w (cm)
Snow, Nash Road (1979)
oil on board - 24.5h × 28.5w (cm)
Yorkshire Reservoir (1979)
oil on board - 19.2h × 30.5w (cm)
Breakthrough, Chesil Beach Portland (1979)
oil on board - 26.5h × 33w (cm)
Barden Bridge (1979)
oil on board - 30h × 33.5w (cm)
Yorkshire Landscape (1979)
oil on board - 10h × 18w (cm)
Sunrise, Frosty Morning (1979)
oil on board - 21h × 28w (cm)
Harvesters (1978)
oil on board - 24h × 33w (cm)
Drifting Snow (1978)
- 20.3h × 35.6w (cm)
Malham, Yorkshire (1978)
pencil on paper - 23h × 37w (cm)
The Altar Rock, Ilkley (1978)
coloured pencil on paper - 27h × 37w (cm)
Road Clear (1978)
oil on board - 35h × 55w (cm)
The Burning Tree, Studley Royal (1977)
oil on board - 30.5h × 45.7w (cm)
Sunday Morning, Huddersfield (1977)
oil on board - 61h × 71w (cm)
Eggardon Hill, Dorset (1977)
oil on board - 14h × 35.6w (cm)
Drought 1976, Yorkshire (1976)
oil on board - 50.8h × 61w (cm)
Old Chair in a Garden (1976)
oil on board - 15.9h × 17.1w (cm)
The Walls of Airedale (1975)
oil on board - 30h × 91.5w (cm)
Slate Quarries, North Wales (1975)
oil on board - 25.5h × 31w (cm)
Hawksworth Moor (1975)
oil on board - 40.5h × 91.5w (cm)
The Coast Road (1975)
oil on board - 25.5h × 30.5w (cm)
Landscape in Wharfedale (1975)
pencil on paper - 22.5h × 35w (cm)
A Cornfield (c1975)
pencil on paper
Passing Storm (c1975)
oil on board - 12h × 17w (cm)
Yorkshire Reservoir (1970s)
oil on board - 11h × 21.5w (cm)
Northern Town (1974)
oil on board - 12h × 52w (cm)
The White Horse, Weymouth (1974)
oil on board - 46h × 51w (cm)
October Snow, Wharfedale (1974)
oil on board - 48.3h × 78.1w (cm)
The Wall, Burnsall (1974)
oil on board - 45.7h × 101.6w (cm)
Cornfield (1974)
oil on board - 70.5h × 90.2w (cm)
The Reservoir (1974)
oil on board - 25h × 41w (cm)
Edge of the Moors (1973)
oil on panel - 38h × 61w (cm)
Snow Shower over Skyreholme (1973)
oil on board - 45.7h × 61w (cm)
April Snow, Fewston (1973)
oil on board - 30.5h × 51w (cm)
Southampton Water (1973)
oil on panel - 51h × 71w (cm)
Landscape near Haworth (1973)
oil on panel - 51h × 61w (cm)
Tumulus, New Forest (1973)
oil on panel - 61h × 71w (cm)
Wharfedale (1973)
oil on board - 35.5h × 122w (cm)
The Epiphany (1973)
oil on board - 46h × 61w (cm)
New Forest, Passing Shower (1973)
oil on board - 20.9h × 33.9w (cm)
Staithes, Yorkshire (c1973)
oil on board - 17h × 24w (cm)
Blackstone Beck (March 1972)
oil on panel - 39.5h × 32.3w (cm)
High Malham, Yorkshire (1972)
oil on panel - 23.5h × 35.5w (cm)
Lookout Tower, New Forest (1972)
oil on board - 52h × 71w (cm)
A Road to Lyndhurst (1972)
oil on panel
The Jetty (1972)
oil on panel - 30.5h × 33w (cm)
May, Young Oak and Young Copper Beech (1972)
oil on board - 25h × 31w (cm)
Lepe Beach (1972)
oil on panel - 22.5h × 30.5w (cm)
Linton Mill, Yorkshire (c1972)
oil on board - 51h × 75w (cm)
Fewston Reservoir (1971)
oil on board - 28h × 41w (cm)
From Uetikon-am-See (1971)
oil on board - 49.5h × 62.2w (cm)
Mythen Alp, Switzerland (1971)
oil on panel - 74h × 74w (cm)
Swiss Landscape (1971)
oil on board - 61h × 61w (cm)
The Road to Grassington (1971)
oil on board - 40.5h × 51w (cm)
Sunday Afternoon, Glarner Alp (1971)
oil on board - 45h × 76w (cm)
Nocturnal Garden (1971)
oil on board - 31.5h × 74w (cm)
Sunset in our Back Garden (c1971)
- 25.4h × 30.5w (cm)
Northumberland (1970)
oil on canvas - 20.5h × 26w (cm)
The Procession, Yorkshire (1970)
oil on board - 43h × 98w (cm)
Village by the Sea (1970)
oil on canvas - 53.5h × 68.5w (cm)
Landscape near York (c1970)
- 12.7h × 17.8w (cm)
Melting Snow, Wharfedale (1969)
oil on board - 30.5h × 40.6w (cm)
Steam Train (the last perhaps) and Aeroplane (1969)
oil on board - 46.5h × 61w (cm)
Stormy Morning, Mid-Wales (1969)
oil on canvas - 50.8h × 76.2w (cm)
Romantic Landscape (1969)
oil on canvas - 60.5h × 90w (cm)
Snow in Wharfedale (1969)
oil on canvas - 41h × 51w (cm)
The Rock (The Cow of the Cow and Calf Rocks, Ilkley) (1968)
oil on board - 50h × 86.5w (cm)
Landscape with Chestnut Trees (1968)
oil on board - 18.5h × 45.7w (cm)
Sand Pit (1968)
oil on board - 40.6h × 53.3w (cm)
Landscape with uprooted trees and hares (1968)
oil on board - 40h × 74w (cm)
Dorset Landscape (1968)
oil on board - 24.1h × 45.7w (cm)
The Tram to Haworth ([date unknown])
oil on board - 46h × 60w (cm)
The Old Orchard (1967)
oil on canvas - 55h × 106w (cm)
Hillside in Wales (1967)
oil on board - 62h × 76w (cm)
The Beacon, Beamsley, Wharfedale (1967)
- 63.5h × 76.2w (cm)
Sir Francis Chichester's Return to Beaulieu River on 17th September, 1967 after his circumnavigation of the world in Gipsy Moth IV (1967)
oil on board - 27.5h × 78w (cm)
Cornfield Cottage (1967)
oil on board - 28h × 33w (cm)
Isle of Wight, New Forest (1967)
oil on board - 34h × 54.5w (cm)
The Delectable Mountains, Penrith (1966)
oil on board - 69h × 119w (cm)
Sunset (1966)
oil on canvas laid on board - 31.5h × 51.5w (cm)
Good Friday (1966)
- 35.6h × 47w (cm)
The Pond (1966)
oil on canvas - 76h × 101w (cm)
Sunset over the Great West Road (1966)
oil on board - 33h × 52.1w (cm)
Yorkshire Landscape (1965)
oil on board - 30.5h × 41w (cm)
From Haworth, Yorkshire (1965)
oil on canvas - 58.5h × 111.5w (cm)
Calf of Man, Isle of Man (1965)
tempera on board - 34h × 52w (cm)
From a Train (1965)
oil on panel - 10h × 34.5w (cm)
Farne Island, Northumberland (1965)
- 33h × 51w (cm)
The Spire (c1965)
red pencil on paper - 29h × 35w (cm)
Farm in Swaledale (c1965)
oil on canvas - 49h × 57w (cm)
Quarry Remembered (1964)
oil on canvas - 41.3h × 51.3w (cm)
Haworth, Yorkshire (1964)
oil on board - 27.94h × 35.56w (cm)
Extensive Landscape (c1964)
- 40.6h × 50.8w (cm)
Anglesey (1963)
oil and tempera on board - 31.5h × 41.5w (cm)
Old Quarry, Wharfedale (1963)
oil on board - 12.7h × 17.2w (cm)
Lincolnshire Farm (1963)
oil on board - 75h × 126w (cm)
Bowden Hill (1963)
oil on canvas - 51h × 76w (cm)
Studio Window (1963)
oil on board - 122h × 244w (cm)