Ships | Boats | Harbours | Ports
Harbours and ports feature mainly in the early part of Richard’s career, but the ships, boats and other craft are a subject throughout. He spent the winter months of 1932/3 in Lyme Regis working towards his first exhibition of paintings at the Redfern Gallery titled 'Dorset Seaports'. This followed the show at the Goupil in 1929 which consisted solely of drawings. He loved the working ports and the atmosphere of camaraderie among the men concentrating on their tasks, as well as the beauty of the ships themselves.
The Red Barque (1936)
oil on panel - 50.8h × 66.6w (cm)
The Black Brig (1936)
oil on canvas - 63.5h × 75.5w (cm)
Collier Brig, Falmouth (1936)
oil on canvas - 41h × 51w (cm)
Whitby, Low Tide (1936)
oil on canvas - 51h × 61w (cm)
R.M.S. Queen Mary, First Arrival at Southampton (1936)
oil on canvas - 50.8h × 101.6w (cm)
Weymouth Harbour (c1936)
- 78.7h × 86.4w (cm)
Patrol Boat, Portland (c1936)
- 30.5h × 40.6w (cm)
Robin Hood's Bay (1935)
oil on canvas - 86.36h × 130.81w (cm)
Dry Dock, Southampton (1935)
oil on canvas - 61.5h × 75w (cm)
The Ship Inn (1935)
oil on canvas - 86.4h × 130.8w (cm)
The White Ship, Weymouth (1935)
oil on canvas - 87h × 131w (cm)
In Falmouth Harbour (1935)
oil on canvas - 60h × 81.5w (cm)
Cornish Harbour (1935)
oil on canvas - 40.6h × 50.8w (cm)
Minesweeper off Portland (1935)
oil on board or panel - 30.5h × 45.7w (cm)
Portland Roads (1935)
oil on canvas - 63.5h × 76.6w (cm)
Boats at Lyme Regis (c1935)
- 50.8h × 61w (cm)
Boat-building near Weymouth (c1935)
oil - 40.6h × 50.8w (cm)
Fishing Boats, Whitby (c1935)
oil on ? - 30.5h × 40.6w (cm)
Drifter Near Weymouth (c1935)
oil on ? - 50.8h × 61w (cm)
The Liner (c1935)
oil on ?
Falmouth (c1935)
oil on ? - 40.6h × 55.9w (cm)
The Dredger (c1935)
- 30.5h × 35.6w (cm)
The Slip, Robin Hood's Bay (1934)
oil on canvas - 49.5h × 61w (cm)
Heavy Weather (1934)
oil on board - 25h × 36.5w (cm)
Choppy Weather on the Solent (1934)
oil on canvas - 50h × 61w (cm)
Late Afternoon, Weymouth (1934)
oil on ? - 76.2h × 127w (cm)
The Wreck of the 'Madeleine Tristan', Chesil Beach (1934)
oil on canvas - 50.8h × 76.2w (cm)
Portland (1934)
oil on canvas - 51h × 61w (cm)
Shells on a Beach (1934)
oil on panel - 25.1h × 35.5w (cm)
A Great Yarmouth Trawler (1934)
oil on canvas - 51h × 61w (cm)
French Trawler, Weymouth (1934)
oil on canvas - 51h × 61w (cm)
Whitby, Yorkshire (1934)
- 63.5h × 76.2w (cm)
Fog Bank, Whitby (1934)
oil on canvas - 50.8h × 76.2w (cm)
The Blue Barge, Weymouth (1934)
oil on canvas - 87h × 131w (cm)
Harbour Scene (c1934)
- 15.2h × 20.3w (cm)
The (Little) Mary Eliza (1933)
- 40.6h × 50.8w (cm)
West Bay Harbour (1933)
- 40.6h × 50.8w (cm)
Weymouth (1933)
watercolour and pencil on paper - 26.5h × 19.5w (cm)
West Bay Steamer ‘Tyneside’ (1933)
- 50.8h × 61w (cm)
Winter Seascape (1933)
oil on canvas - 50.8h × 60.9w (cm)
Lyme Regis – February (1933)
- 33h × 48.3w (cm)
Out of Port (1933)
oil on board - 38h × 48w (cm)
Tramp Steamers, West Bay (1933)
oil on canvas - 51h × 76w (cm)
Cement Barge, “Venta” (1933)
- 50.8h × 61w (cm)
Long panel of boats, Lyme Regis (1933)
- 20.3h × 61w (cm)
Tunny Fishing, Whitby (1933)
oil on canvas - 63.5h × 76.5w (cm)
Tramp steamer, Lyme (1933)
- 33h × 48.3w (cm)
The Harbour, Low Tide (c1933)
oil on canvas - 31.6h × 51w (cm)
Lyme Regis (22nd Nov 1932)
watercolour on paper - 19h × 28w (cm)
Lyme Regis (1932)
watercolour on paper - 19.1h × 27.9w (cm)
Lyme Regis (1932)
watercolour on paper - 19.2h × 27.9w (cm)
Winter Afternoon, Lyme (1932)
- 61h × 86.4w (cm)
Golden Cap (1932)
oil on canvas - 35.5h × 50.8w (cm)
Unloading Cement, Lyme (1932)
oil on canvas - 58.5h × 86.5w (cm)
Fishing Trawler and the Lighthouse (1932)
oil on canvas - 50.2h × 68w (cm)
Lyme Regis (1932)
watercolour on paper - 13.1h × 27.9w (cm)
Lyme Regis (1932)
watercolour on paper - 19h × 28.5w (cm)
Low Tide, Lyme Regis (1932)
oil on canvas - 63.5h × 76w (cm)
Portland Harbour (1932)
oil on canvas - 61h × 81w (cm)
Lyme Regis (1932)
oil on canvas - 35h × 50w (cm)
Portland Bill with HMS Tiger (1932)
oil on canvas - 61h × 82w (cm)
Beer from the Sea (1932)
oil on canvas - 37.5h × 52.7w (cm)
Off the Dorset Coast (1932)
oil on panel - 40.5h × 51w (cm)
The Cobb, Lyme (1932)
oil on thin board - 24.5h × 46.7w (cm)
West Country Harbour (1932)
oil on board - 40.6h × 61w (cm)
The White Ship, Lyme (c1932)
oil on canvas - 61h × 76.2w (cm)
Round the Point no 2 (c1931)
oil - 40.6h × 55.9w (cm)
Round the Point (1931)
oil on canvas - 50.8h × 60.7w (cm)
The Club Room (1931)
tempera on canvas - 50h × 60w (cm)
Figurehead (1931)
tempura on board - 23.4h × 17.5w (cm)
A Yacht Being Towed into Harbour (1931)
oil on canvas - 50h × 65.5w (cm)
The Sailing Ship (1930)
oil on panel - 31.5h × 47w (cm)
The Cobb and Golden Cap, Lyme Regis (1930)
oil on panel - 22.5h × 33w (cm)
Boats (1930)
tempera on board - 40h × 61w (cm)
The Cat and Mouse (1929)
pencil on paper - 38.1h × 27.9w (cm)
Man of War (1929)
watercolour and pencil on paper - 33.5h × 40.5w (cm)
Sailors and Other Figures Carousing by a Quay (1925)
oil on canvas - 91.5h × 122w (cm)
Old Barge on the Thames (c1925)
oil on board - 22.8h × 33w (cm)
Under Sail (1924)
watercolour on paper - 21h × 27w (cm)
Boat in the Breakers (10th Apr 1923)
watercolour on card
Marine (1923)
watercolour and pastels on card
Rescue from a Wreck (1923)
mixed media on paper on board - 25h × 30w (cm)
Weymouth (1923)
watercolor on paper - 17.8h × 25.4w (cm)
Liberty Boat, Weymouth (1922)
watercolour on paper
Tugboat (1921)
oil on canvas
Sinking Ship and Survivors (1915)
watercolour and ink on paper
Sinking Ship in Flames (1915)
watercolour on paper
Battleship and Submarine (1915)
watercolour on paper - 9h × 12.5w (cm)
Zeppelin and Sinking Ship (1915)
watercolour and ink on paper
The Last of the Emden (1914)
pencil on paper
Ship on Fire (1914)
watercolour on paper
Eddystone Lighthouse (c1912)
watercolour and pencil on paper
Warships (1911)
watercolour
Yacht (1910)
watercolour and pencil on paper
Sailing Boat with figure on the deck (c1909)
pencil and crayon on paper
Sailing Boat with Figure in the Sea (c1909)
watercolour on paper