Works The Great Viol

The Great Viol

1927

pencil on paper

31.9h x 25.9w (cm)

The Whitworth, University of Manchester

Recto: signed and dated lower left: R.Eurich.1927.


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One of the drawings in RE's first solo show, at the Goupil Gallery in London in 1929. Catalogue no. 29. The Goupil link below takes you to more information about the show and gives a full list of titles from the catalogue.

- REP

This work was shown at the New English Art Club spring show in 1929, a few months before the solo exhibition at the Goupil Gallery in December. The NEAC catalogue lists two Eurich's, "The Great Viol" and "Clowns". We can probably safely assume that "The Great Viol" is the same one as in the Goupil catalogue, but "Clowns" could refer to either "Clowns at Practice (aka In the Circus)" or "Clowns by the Sea", both in the Goupil show, or to neither of them.

- REP-PC

I planned the drawing in space and contrived as complete a realization over every square inch as I was capable of. The subject was a figure rather resembling myself, sitting in a room holding a viol da gamba.  See memoir . . .

- As the Twig is Bent (Chapter 27)

The Contemporary Art Society's website lists the presentation date to the The Whitworth as 1935. The Whitworth's accession number seems to indicate that it might have been 1937.

- REP/PC

Provenance & Events

EXHIBITION • 1929
SOLO SHOW • December 1929

"Richard Eurich"

Goupil Gallery

Cat 29

Priced at GNS7
ACQUIRED • December 1929

bought by Sir Edward Marsh from the Goupil Gallery

GIFTED • 1929

Presented by Sir Edward Marsh to the Contemporary Art Society

GIFTED • 1935

The Whitworth, University of Manchester

presented by the Contemporary Art Society, Sir Edward Marsh Bequest; accession number D.1937.1

EXHIBITION • 5th May to 5th Jun 1976
SOLO SHOW • 25th Nov 1979 to 20th Jan 1980

"Richard Eurich, RA - A Retrospective Exhibition"

Cartwright Hall Gallery, Bradford District Museums and Galleries

Cat 3

SOLO SHOW • 28th Jan to 13th Mar 1994

References:

Reviews

  • "An eye for detail"; by Frances Spalding, pub. The Independent Magazine, 26 March 1994 [p 26]

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