Trees | Woods | Forests
Trees as a stand-alone subject occupied Richard’s mind when still a teenager. As he developed he was influenced by Cotman and Cézanne, and trees more often became part of a larger landscape. In his later years he was fascinated by the New Forest on his doorstep and the garden where the small trees had by now had time to grow enormous. He cursed them for creating a green shade to his studio light but loved them nevertheless.
April Snow, Fewston (1973)
oil on board - 30.5h x 51w (cm)
Blackstone Beck (March 1972)
oil on panel - 39.5h x 32.3w (cm)
Lookout Tower, New Forest (1972)
oil on board - 52h x 71w (cm)
Young Oak Tree and May Trees (1972)
oil on panel - 46h x 61w (cm)
May, Young Oak and Young Copper Beech (1972)
oil on board - 25h x 31w (cm)
May Tree (1972)
oil on panel - 25.5h x 32w (cm)
Sunday Afternoon, Glarner Alp (1971)
oil on board - 45h x 76w (cm)
Melting Snow, Wharfedale (1969)
oil on board - 30.5h x 40.6w (cm)
Spring (c1969)
- 45.7h x 61w (cm)
Landscape with Chestnut Trees (1968)
oil on board - 18.5h x 45.7w (cm)
Landscape with uprooted trees and hares (1968)
oil on board - 40h x 74w (cm)
The Old Orchard (1967)
oil on canvas - 55h x 106w (cm)
Hillside in Wales (1967)
oil on board - 62h x 76w (cm)
Cornfield Cottage (1967)
oil on board - 28h x 33w (cm)
The Pond (1966)
oil on canvas - 76h x 101w (cm)
Studio Window (1963)
oil on board - 122h x 244w (cm)
May Tree (1963)
oil on board - 14h x 19w (cm)
Chatsworth to Represent Sheffield at Play (1961)
oil on canvas - 304.8h x 426.7w (cm)
Early Morning, Lytham Sands (1960)
oil on board - 51h x 81w (cm)
Sunset Study (1960)
oil on canvas - 26h x 31w (cm)