Trees | Woods | Forests
Trees as a stand-alone subject occupied Richard’s mind when still a teenager. As he developed he was influenced by Cotman and Cézanne, and trees more often became part of a larger landscape. In his later years he was fascinated by the New Forest on his doorstep and the garden where the small trees had by now had time to grow enormous. He cursed them for creating a green shade to his studio light but loved them nevertheless.
The Garden (1959)
oil on canvas - 78.7h x 110.1w (cm)
Rainbow, New Forest (1957)
oil on canvas - 45.5h x 61w (cm)
The Window (1956)
oil on canvas - 63h x 76.5w (cm)
Welsh Landscape (c1956)
- 111.8h x 144.8w (cm)
Ancient Forest, the Vision of St Eustace (c1954)
oil on canvas - 51h x 61w (cm)
Snow in a Wood (1952)
oil on board - 18h x 23.2w (cm)
Kirkham Abbey on the Derwent (1951)
- 76.2h x 127w (cm)
Landscape (1951)
oil on board - 17h x 21w (cm)
April Showers (c1948)
oil on canvas - 30.5h x 41w (cm)
Troops at Balliol, Second World War (1947)
oil on canvas - 89.8h x 165.1w (cm)
The New Forest (1939)
oil on canvas - 63.5h x 76.5w (cm)
Thatching in Hampshire (c1939)
- 41h x 61w (cm)
Cornish Landscape with Roller (1936)
oil on canvas - 39.5h x 49.5w (cm)
Landscape at Lyme Regis (1930)
oil on panel - 25h x 35w (cm)
The Pool in the Wood (1929)
pencil on paper - 27h x 37w (cm)
Ice Skating (1928)
pencil on paper - 21h x 31.7w (cm)
Trees in Mountain Valley (1926)
oil on ? - 50.8h x 76.2w (cm)
The White House (1926)
oil on canvas