Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
A Cornfield (c1975)
pencil on paper
Passing Storm (c1975)
oil on board - 12h x 17w (cm)
Yorkshire Reservoir (1970s)
oil on board - 11h x 21.5w (cm)
Northern Town (1974)
oil on board - 12h x 52w (cm)
The White Horse, Weymouth (1974)
oil on board - 46h x 51w (cm)
October Snow, Wharfedale (1974)
oil on board - 48.3h x 78.1w (cm)
The Wall, Burnsall (1974)
oil on board - 45.7h x 101.6w (cm)
Cornfield (1974)
oil on board - 70.5h x 90.2w (cm)
The Reservoir (1974)
oil on board - 25h x 41w (cm)
Edge of the Moors (1973)
oil on panel - 38h x 61w (cm)
Snow Shower over Skyreholme (1973)
oil on board - 45.7h x 61w (cm)
April Snow, Fewston (1973)
oil on board - 30.5h x 51w (cm)
Southampton Water (1973)
oil on panel - 51h x 71w (cm)
Landscape near Haworth (1973)
oil on panel - 51h x 61w (cm)
Tumulus, New Forest (1973)
oil on panel - 61h x 71w (cm)
Wharfedale (1973)
oil on board - 35.5h x 122w (cm)
The Epiphany (1973)
oil on board - 46h x 61w (cm)
New Forest, Passing Shower (1973)
oil on board - 20.9h x 33.9w (cm)