Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
Rainbow and Pony, York (1951)
oil on canvasboard - 15.2h x 20.9w (cm)
Landscape (1951)
oil on board - 17h x 21w (cm)
Seascape with a Train (1950)
oil on canvas - 73.5h x 97.5w (cm)
Sea View (1950)
oil on board - 43h x 58w (cm)
Spring (1950)
oil on canvas - 40.5h x 50.6w (cm)
The White Horse, Kilburn, Yorkshire: after Rain (1950)
oil on canvas - 40.6h x 50.8w (cm)
Malham Cove (1950)
oil on board - 85h x 128w (cm)
Gordale Scar (c1950)
oil on canvas - 126h x 75w (cm)
The White Horse, Kilburn, Yorkshire (1949)
oil on canvas - 101.5h x 127w (cm)
Corfe Castle (1949)
pencil on paper - 20h x 28w (cm)
A Nativity (1949)
- 76.2h x 101.6w (cm)
The Watercourse, Gordale (1949)
oil on canvas - 102.6h x 102.3w (cm)
Buttercup Field (1948)
oil on canvas - 37h x 45w (cm)
New Forest (c1948)
- 61h x 76.2w (cm)
April Showers (c1948)
oil on canvas - 30.5h x 41w (cm)
Northern Landscape (1947)
oil on canvas - 71h x 91w (cm)
Remembrance of Things Past (1947)
oil on canvas - 50.5h x 74.5w (cm)
Troops at Balliol, Second World War (1947)
oil on canvas - 89.8h x 165.1w (cm)
Trinity College: the Wren Library and River Cam (1946)
oil on canvas - 62.3h x 75w (cm)