Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
The Dreamer (1946)
oil on panel - 21h x 27.5w (cm)
The Dreamer (Study) (1946)
- 61h x 76.2w (cm)
In Debt to Caroline (c1946)
oil on canvas - 61h x 51w (cm)
Landscape Study (c1946)
- 40.6h x 50.8w (cm)
Country Ride (1945)
oil on card - 30.5h x 22.9w (cm)
The Goods Train (c1945)
oil on panel - 16.3h x 32.7w (cm)
The Long Barrow (c1945)
oil on canvas - 50.8h x 61w (cm)
Garden Wall (c1945)
- 22.9h x 30.5w (cm)
Farmyard (c1945)
- 38h x 45.7w (cm)
Catching the Pony (c1945)
oil on canvas board - 24.5h x 34.5w (cm)
Cricket (c1945)
oil on canvas - 42h x 32w (cm)
Full Cry (c1945)
oil on board - 22.9h x 30.5w (cm)
Preparations for D-Day (1944)
oil on canvas - 76.2h x 127w (cm)
Fortresses over Southampton Water (1944)
oil on canvas - 76.2h x 101.9w (cm)
Midget Submarine Attack on the 'Tirpitz', 22 September 1943 (1944)
oil on mahogany panel - 40.6h x 106.7w (cm)
The Shadow, Eclipse of the Sun (c1944)
oil on canvas board - 25.1h x 30.9w (cm)
The Red Engine (1943)
oil on panel - 22h x 30w (cm)
A Yorkshire Landscape, Teesdale (1943)
oil on canvas - 46.5h x 31w (cm)