Umbrellas | Hats
These objects appear so often that they become noticeable. Occasionally they appear to hold some significance.
Deposition, Study from an Alabaster Carving (1964)
oil on board - 50.8h x 40.6w (cm)
Penmon Lighthouse, Anglesey (1964)
oil on board - 20.3h x 31w (cm)
Fragment (c1963)
pencil on driftwood panel - 29.2h x 45w (cm)
The Whitby Lights (1962)
oil on board - 35.2h x 58.1w (cm)
Near Seaview, Isle of Wight (1962)
oil on board - 22h x 61w (cm)
Huntingdonshire (1960)
oil on board - 34.3h x 43.1w (cm)
The Return of the Prodigal Son (1959)
oil on canvas - 62h x 75w (cm)
The Guy (1958)
oil on canvas - 127h x 101.6w (cm)
Return of the Prodigal Son (c1958)
oil on board - 19.5h x 8.5w (cm)
Men of Straw (1957)
oil on panel - 50.8h x 101.6w (cm)
The Critics (1956)
oil on canvas - 63.5h x 76.2w (cm)
York Festival Triptych (1956)
oil on canvas - 130.8h x 196.2w (cm)
The Pink Room (1954)
oil on canvas - 102h x 127w (cm)
The Tortoiseshell Cat (1954)
- 60.7h x 35.6w (cm)
Gay Lane (1952)
oil on canvas - 76h x 63.5w (cm)
The Pleasures of Travel, 1951 (1952)
oil on canvas - 50.8h x 63.5w (cm)
The Mummers (1952)
oil on board - 88h x 92w (cm)
Episode at Lyme Regis (1951)
oil on cardboard - 20h x 25w (cm)
Beach Scene (1951)
oil on canvas - 17.8h x 20.3w (cm)
The Mummers (1951)
oil on board - 21h x 15.9w (cm)