The Pleasures of Travel, 1951
1952
oil on canvas
50.8h x 63.5w (cm)
Private Collection
Narrative
Humour / Satire
Interiors
Bonfires | Flames | Smoke
Curtains
Umbrellas | Hats
Commissioned Works
Richard Eurich (1903-1992) Visionary Artist
The Art of Richard Eurich
- REPThe writer Evelyn Waugh commissioned Richard to paint this picture to complement two other paintings he owned, both by Robert Musgrave Joy - 'The Pleasures of Travel 1751' and 'The Pleasures of Travel 1851'. See below. They were painted in 1861 and are also known as "Travelling Past 1760, Your Money or your Life" and "Travelling Present 1860, Tickets Please".
Provenance & Events
References:
Books
- "Richard Eurich (1903-1992) Visionary Artist"; Edward Chaney and Christine Clearkin (contributions by James Hyman, David McCann and Peyton Skipwith), pub. 2003: Paul Holberton Publishing, ISBN 1903470110 [Figure 18 in catalogue, not exhibited]
- "The Art of Richard Eurich"; Andrew Lambirth, pub. 2020: Lund Humphries, 170 colour illustrations, ISBN 9781848221727 [fig 62, pg 83]
Reviews
- "Poet of the Beach"; Peyton Skipwith, Country Life, 19 September 2020 [p145]
- "In Focus: The Anglo-German pacifist-turned-war artist who famously chronicled Dunkirk — despite not being there"; Peyton Skipwith, Country Life - online
- "Spectator magazine"; [6 AUGUST 1954, Page 6]
- "Waugh-Commissioned Artist in New Book and Exhibition"; by Jeffrey Manley, pub. Evelyn Waugh Society website, September 18, 2020
- "Rediscovering Richard Eurich"; by Peyton Skipwith, pub. Fine Art Connoisseur (Streamline, USA), October 2020, Historic Masters, pp 130-135
- "The Sea, the sea"; review by Jonathan Meades of the Edge of All the Land exhibition (1994) republished in a book of his selected writings - Pedro and Ricky Come Again, pub. Unbound: 18 March 2021, ISBN-10 : 1783529504; ISBN-13 : 978-1783529506
- "The Pleasures of Travel"; by John Derbyshire, pub. Taki's Magazine, Dec 1, 2010
- "A Weekend with Waugh"; by Duncan McLaren, pub. evelynwaugh.org.uk
- "A smell of cigar smoke in the night"; by Michael Davie, pub. Observer Magazine: 13 May 1973