Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
Breakthrough, Chesil Beach Portland (1979)
oil on board - 26.5h x 33w (cm)
Barden Bridge (1979)
oil on board - 30h x 33.5w (cm)
Yorkshire Landscape (1979)
oil on board - 10h x 18w (cm)
Sunrise, Frosty Morning (1979)
oil on board - 21h x 28w (cm)
Harvesters (1978)
oil on board - 24h x 33w (cm)
Drifting Snow (1978)
- 20.3h x 35.6w (cm)
Malham, Yorkshire (1978)
pencil on paper - 23h x 37w (cm)
The Altar Rock, Ilkley (1978)
coloured pencil on paper - 27h x 37w (cm)
Road Clear (1978)
oil on board - 35h x 55w (cm)
The Burning Tree, Studley Royal (1977)
oil on board - 30.5h x 45.7w (cm)
Sunday Morning, Huddersfield (1977)
oil on board - 61h x 71w (cm)
Eggardon Hill, Dorset (1977)
oil on board - 14h x 35.6w (cm)
Drought 1976, Yorkshire (1976)
oil on board - 50.8h x 61w (cm)
Old Chair in a Garden (1976)
oil on board - 15.9h x 17.1w (cm)
The Walls of Airedale (1975)
oil on board - 30h x 91.5w (cm)
Slate Quarries, North Wales (1975)
oil on board - 25.5h x 31w (cm)
Hawksworth Moor (1975)
oil on board - 40.5h x 91.5w (cm)
The Coast Road (1975)
oil on board - 25.5h x 30.5w (cm)
Landscape in Wharfedale (1975)
pencil on paper - 22.5h x 35w (cm)