Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
Northern Hill Town (1981)
oil on board - 22.9h x 101.6w (cm)
The Sand Pit (1981)
oil on board - 41h x 61w (cm)
Autumn, New Forest (1981)
oil on board - 20h x 91w (cm)
Figures on the Moors (1981)
oil on board - 30.5h x 45.5w (cm)
The Monument (1981)
oil on board - 30h x 60w (cm)
Lovers in the Woods (1981)
oil on board - 28.3h x 37w (cm)
Beach Carnival (1981)
oil on board - 61h x 91.5w (cm)
Late Autumn, New Forest (1981)
oil on board - 50.5h x 86.5w (cm)
Autumn (Sketch) (1981)
oil on board - 9.5h x 50w (cm)
The Green Hill (1981)
oil on board (two boards glued together) - 17.5h x 37w (cm)
Wrose Hill, Bradford (1981)
oil on board - 30h x 45w (cm)
The Maze (1980)
oil on board - 56h x 59.5w (cm)
Rain Landscape (1980)
oil on board - 22.9h x 48.9w (cm)
Passing Storm, Wharfedale (1980)
oil on board - 40.7h x 91.5w (cm)
Beamsley Beacon (c1980)
- 17.8h x 38w (cm)
Snow on the Grazing Strip (1979)
oil on board - 12.5h x 36w (cm)
Chesil Beach (1979)
oil on board - 12.7h x 16.5w (cm)
Snow, Nash Road (1979)
oil on board - 24.5h x 28.5w (cm)
Yorkshire Reservoir (1979)
oil on board - 19.2h x 30.5w (cm)