View through a Window or Door
Many of Richard’s pictures have an extra dimension where we look from what is immediately in front of us through to another room or world. This is something he picked up from Renaissance paintings, before landscape was accepted as a subject in itself. Equally a window can frame someone leaning out or hint at someone doing something inside a building.
Queen of the Sea, 1911 (1954)
oil on canvas - 122h x 182.8w (cm)
The Pink Room (1954)
oil on canvas - 102h x 127w (cm)
Gay Lane (1952)
oil on canvas - 76h x 63.5w (cm)
The Mummers (1952)
oil on board - 88h x 92w (cm)
The Return (c1952)
- 30.5h x 50.8w (cm)
An Interior with a Bowl of Fruit (1951)
oil on board - 18.4h x 21w (cm)
The Mummers (1951)
oil on board - 21h x 15.9w (cm)
The Guy (1948)
oil on canvas - 61h x 51w (cm)
Garden Wall (c1945)
- 22.9h x 30.5w (cm)
Still Life, Lyme Regis (1933)
oil on canvas - 47.5h x 32.5w (cm)
The Club Room (1931)
tempera on canvas - 50h x 60w (cm)
The Singer (1930)
oil on canvas - 66h x 49.5w (cm)
The Clown (1930)
oil on panel - 32h x 25.5w (cm)
Girl by the Window (1930)
oil on canvas - 40.6h x 31w (cm)
Clowns at Practice (1929)
pencil on paper - 37.5h x 30.5w (cm)
Girl at a Window (1929)
pencil on paper - 25.4h x 20.32w (cm)
The New Dress (1929)
pencil on paper - 26.5h x 38w (cm)
Girl Sitting Up in Bed (1928)
pencil on paper - 28h x 33.3w (cm)
Mother and Daughter (1928)
pencil on paper - 48.7h x 30.1w (cm)