Works The Battle of the Boggarts

The Battle of the Boggarts

1948

oil on canvas

64h x 76w (cm)

Private Collection (UK)

Recto: signed and dated lower left: R. Eurich 1948

Verso: Redfern Gallery sales label dated 2nd May 1949; Cartwright Memorial Hall, Bradford label dated 1951; Fine Art Society label dated April 1980;

Alternatives:
Battle of the Beggars [Bridgeman Art Library]
The Battle of Scarecrows [RE diary]
Battle of Boggarts [Redfern, and Bradford (1979)]
Battle of the Beggars [Bridgeman Art Library]
The Battle of Scarecrows [RE diary]

Tags:
Gatherings / Festivities
Motifs
Narrative
Night
Problem Pictures
Sets
Themes
Umbrellas / Hats

Subject
Blood
Boggarts
\Trees
agricultural
ambiguous
animal
barn
battle
cart
chaos
clothing
conflict
conveyor
currugated steel
dream
dreamlike
dress
fantastical
farm
fence
field
gate
hay
hay barn
haystack
horror
machinery
maddness
moon
mysterious
mystery
nightmare
pans
plough
ploughed
pots
roller
rural
scarecrow
scythe
steer
straw
surreal
surrealist
sword
umbrellas
war
warfare
weapon
wheels
wooden fence

Medium
Oil

RE Diary entries:

7th June 1948: "Stretched a few canvases including a 30x25 on which I started a grand subject suggested by Mavis and Caroline who are reading ‘Worzel Gummidge’ together – ‘The Battle of Scarecrows'."

2nd May 1949: Heard the cheering news that two of my three paintings at the RA were sold on Private View day. Marine Harvest to the Ferens Art Gallery for 100 gns. And 'The Battle of the Boggarts' to Captain Cunningham Reid for 150 gns.

- REP

"Battle of the Boggarts" may have inspired the larger 1957 painting “Men of Straw” owned by Nottingham City Museums & Galleries.

Richard picks up the roller motif here that he first used in his 1936 work Cornish Landscape with Roller.

- REP - PC

It is night time… when all the scary things happen! Perhaps that childhood fear never quite leaves us, and Dad has enjoyed revelling in these goings-on. Our Mother was reading Worzel Gummidge aloud which sparked the idea for this riot. The windows of the farm cottage in the background are eyes wide with horror but there is huge glee here in the violence and sheer mess! The hay-loader though full of lethal spikes looks somewhat like a party game. The whole picture is designed to be frightening and yet fun at the same time. [PB]

- REP-PB

A "boggart" is variously described as a shapeshifter fairy or ogre of households or fields that takes the form of the viewer's worst fear.

- REP-PC

Provenance & Events

SOLO SHOW • 8th Mar to 2nd Apr 1949
EXHIBITION • 30th Apr to 7th Aug 1949

"Summer Exhibition 1949"

Royal Academy of Arts

Cat 128

ACQUIRED • May 1949

purchased by Captain A S Cunningham-Reid from the Royal Academy via the Redfern Gallery for 150gns

SOLO SHOW • 1st Jun to 26th Aug 1951

"RETROSPECTIVE EXHIBITION OF OIL PAINTINGS by RICHARD EURICH, A.R.A."

City of Bradford Art Gallery, Cartwright Hall

Cat 56; lent by Captain A S Cunningham-Reid

AUCTION • 16th Nov 1977

"[title unknown]"

Sotheby’s

lot 88

IN COLLECTION • [date unknown]

Guy Neville

SOLO SHOW • 25th Nov 1979 to 20th Jan 1980

"Richard Eurich, RA - A Retrospective Exhibition"

Cartwright Hall Gallery, Bradford District Museums and Galleries

Cat 38; loaned by Guy Neville

AUCTION • 4th Mar 1983

"[title unknown]"

Christie's

lot 267, illustrated

IN COLLECTION • [date unknown]

unknown private collection

AUCTION • 6th Jun 1995
ACQUIRED • June 1995

bought at Phillip's auction by The Fine Art Society

ACQUIRED • September 1995

bought by private collector from The Fine Art Society

IN COLLECTION • 2019

Private Collection (UK)

References:

Reviews

  • "Portrait of the Artist, Richard Eurich"; Lambeth, Andrew, The Artists and Illustrators Magazine, December 1989 [p 26]
  • "Art News and Review"

Catalogues

  • "RA Illustrated"; [1949, p28]

Other

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