Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
Evening, High Summer (1983)
oil on board - 61h x 75w (cm)
The Hog's Back (1983)
oil on board - 45.7h x 61w (cm)
From my Studio Window (c1983)
oil on board - 35.6h x 30.5w (cm)
Winter Seascape (1982)
oil on board - 75h x 127w (cm)
The Goal Post (1982)
oil on board - 34.5h x 50w (cm)
Birches and Undergrowth (1982)
oil on board - 64h x 76.5w (cm)
Green Summer, New Forest (1982)
oil on board - 40.6h x 61w (cm)
The Camp (1982)
oil on board - 19.5h x 29w (cm)
The Branch Line (1982)
oil on board - 35.5h x 59w (cm)
Dark Avenue (1982)
oil on board - 19.5h x 24.5w (cm)
Bridge on the Wharfe (1982)
oil on board - 40.6h x 60.9w (cm)
The Avenue (1982)
oil on board - 22.5h x 21w (cm)
The Gas Works, Ilkley (1982)
oil on board - 39.5h x 60w (cm)
Forest Under Snow (1982)
oil on board - 46h x 63.5w (cm)
Bradford from Hawksworth (1982)
oil on board - 20.3h x 43.2w (cm)
The Noads (1982)
oil on board - 38.5h x 59.5w (cm)
Winter Morning, New Forest (1982)
oil on board - 34.3h x 44w (cm)
The Wharfe at Bolton Abbey (1982)
oil on board - 40.6h x 60.7w (cm)
The Cricket Match, Ilkley (c1982)
oil on board - 39h x 60w (cm)
Autumn New Forest (1981)
oil on board - 33h x 52w (cm)