Panoramas
In an effort to give the effect of a wide horizon Richard sometimes worked on pictures which were narrow from top to bottom but excessively wide from side to side. But he started this idea as early as 1915 (12 years old) when he must have cut paper to this shape in order to paint a scene where his pet rabbit happily grazed near several guinea pigs belonging to his sisters. He still used this format when he was 86 years old.
Seascape (1977)
oil on board - 15.5h x 33w (cm)
Apples with Cup (1976)
oil on board - 15.9h x 56w (cm)
Lepe Beach, Evening (1976)
oil on board - 11.5h x 43.5w (cm)
The Walls of Airedale (1975)
oil on board - 30h x 91.5w (cm)
Winter Seascape (1975)
oil on board - 16h x 34w (cm)
Hawksworth Moor (1975)
oil on board - 40.5h x 91.5w (cm)
Quayside, Weymouth (1975)
oil on board - 14h x 50.1w (cm)
Beach and Pier (working title until painting is identified -probably not Eurich) (c1975)
oil on board - 33h x 75w (cm)
Northern Town (1974)
oil on board - 12h x 52w (cm)
Farewell (1974)
oil on board - 15.2h x 61w (cm)
Bait Diggers (1974)
oil on board - 13h x 35w (cm)
The Wall, Burnsall (1974)
oil on board - 45.7h x 101.6w (cm)
The Seals of Farne (1974)
oil on board - 20h x 48w (cm)
From Dymchurch Sands (1974)
oil on board - 12.7h x 30.48w (cm)
Dymchurch Sands (1974)
oil on board - 25h x 89w (cm)
Jugs and Whisk (1973)
oil on panel - 18h x 41w (cm)
Wharfedale (1973)
oil on board - 35.5h x 122w (cm)
Northumbrian Sword Dance (1973)
oil on board - 30.5h x 61w (cm)
Cucumber and Glass (1973)
oil on board - 11h x 29.5w (cm)
East Coast Gale (c1973)
oil on canvas - 30.5h x 76w (cm)