Panoramas
In an effort to give the effect of a wide horizon Richard sometimes worked on pictures which were narrow from top to bottom but excessively wide from side to side. But he started this idea as early as 1915 (12 years old) when he must have cut paper to this shape in order to paint a scene where his pet rabbit happily grazed near several guinea pigs belonging to his sisters. He still used this format when he was 86 years old.
Night Scene (1989)
oil on board - 18.5h x 36w (cm)
The Dining Table (1989)
oil on board - 11.5h x 30w (cm)
Garden Figure (1989)
oil on board - 14.5h x 35.5w (cm)
Cowes Regatta (1989)
oil on board - 18h x 76w (cm)
Figures, Low Tide (1989)
oil on board - 10.1h x 30.1w (cm)
Tide Coming In (1989)
Oil on canvas board
The Shore (1988)
oil on board - 20.4h x 61w (cm)
Greeting the Spray (1988)
oil on board - 12h x 55w (cm)
Storm Brewing (1988)
oil on board - 19h x 88.9w (cm)
Bathers (1988)
oil on board - 9.5h x 20.5w (cm)
Waves (1988)
oil on board - 12h x 44w (cm)
Activity on the Beach (1988)
oil on board - 39.5h x 90w (cm)
Lepe (1988)
oil on board
Bank Holiday (1988)
oil on board - 10h x 38w (cm)
Cowes Week, Isle of Wight (1987)
oil on board - 18h x 59w (cm)
New Forest (1987)
oil on board - 42h x 82w (cm)
The Rocket (1987)
oil on board - 28h x 60w (cm)
Garden No.2 (1987)
oil on board - 32.5h x 11w (cm)
The Rainbow (1987)
oil on board - 11.5h x 33.5w (cm)
