Panoramas
In an effort to give the effect of a wide horizon Richard sometimes worked on pictures which were narrow from top to bottom but excessively wide from side to side. But he started this idea as early as 1915 (12 years old) when he must have cut paper to this shape in order to paint a scene where his pet rabbit happily grazed near several guinea pigs belonging to his sisters. He still used this format when he was 86 years old.
Sky Over Beach (c1987)
- 10.2h x 20.3w (cm)
Figures on Beach (1986)
oil on board - 10.1h x 33w (cm)
Cowes Regatta (1986)
oil on board - 12.7h x 28w (cm)
Windsurfer Evening (1986)
oil on board - 30h x 65w (cm)
Dark Beach (1986)
oil on board - 8.9h x 35.6w (cm)
Crowded Beach (1986)
- 6.4h x 31.1w (cm)
Seascape and Lighthouse (1986)
oil on board - 29h x 76w (cm)
Further Outlook (1986)
- 14.7h x 33.25w (cm)
Beach No. I (1986)
- 12.1h x 30.5w (cm)
Beach No. VI (1986)
oil on board - 10.2h x 31.1w (cm)
Low Tide - Lepe (1986)
oil on board - 17.5h x 54w (cm)
Figures on the Beach (1986)
oil on board - 16h x 35.5w (cm)
Beach No. II (1986)
oil on board - 11.4h x 32.4w (cm)
The Bathers (1986)
oil on board - 10h x 33.5w (cm)
Marine (1985)
oil on board - 13h x 60.5w (cm)
Sea Study (1985)
oil on board - 13h x 29w (cm)
Apple and Glass Bowl (1985)
oil on board - 12.8h x 30.2w (cm)
Marine Sun (1985)
pencil and watercolour on gesso board - 14h x 31w (cm)
Burning Wreckage on the Beach (1985)
oil on board - 31h x 64w (cm)
Entrance to Beaulieu River (1985)
oil on board - 29.5h x 109w (cm)