Works D-Day, Reconstruction - Bombed Cathedral

D-Day, Reconstruction - Bombed Cathedral

1944

oil on panel

102h x 77w (cm)

The Harris

Alternatives:
D-Day, Reconstruction - Bombed Cathedral [Art UK]
Bombed Cathedral []

Tags:
All Works in Public Collections
Bonfires / Flames / Smoke
Commissioned Works
Historical / Biblical References
Motifs
Narrative
Night
Official War Artist
Sets
Themes
Wartime

Subject
WW2
WWII
World War 2 World War II
architecture
attack
bombed
building
burning
cathedral
city
crucifix
fire
flames
public collection
raid
ruins
smoke
topographical view
turban
war
war artist
wartime

Medium
Oil

This is the right hand panel of an unconnected triptych. It was Richard's last painting as an Official War Artist for the Admiralty.

Frustrated by censorship, Richard expressed his discontent in a letter to Sydney Schiff on 3 July 1944, stating his intention to work on a large triptych and suggesting it might be his final work for the War Ministry. Struggling with exhaustion, ill-health, and family issues (his infant daughter Joanna had died of meningitis in March 1944), he found the painting difficult to complete. Athough he was dissatisfied with the outcome, the painting expresses an honest view of the war, more in keeping with his personal vision and less favoured by the Admiralty.

- Partly taken from a catalogue note by Nicholas Usherwood, The Edge of all the Land, 1994.

Right-hand panel of a triptych. Full set shown in related images panel below. 

Links to each entry:

- REP

13th July 1944:

Spent night on HMS Enterprise. Captain Groves very helpful with regard to the bombardment on D-Day etc.

- RE Diary

From the Richard Eurich interview by James Mellen done in 1978 for the Imperial War Museum "Artists in an Age of Conflict" series of sound recordings
". . .  it’s very difficult to do a thing of D-Day. I made a sort of triptych of it. The centre portion is about 9 feet and depicts men running ashore on Normandy beach. And the side pictures which are smaller, though the depth is the same, depict a bombardment from the sea, the initial bombardment which covered the landing, and the one the other side is the destruction of Caen and places like that, which had to be unfortunately, for the troops to make an advance and to liberate Paris.’

- IWM

Going along with his quote about Caen, this painting appears to be based on the Church of St. Pierre in Caen, as it looked in photos after being bombed.

- Ben McHutchion

Your comment about the church depicted in my father’s D-Day Reconstruction panel is much appreciated. RE called it a cathedral which seems to be wrong. Perhaps you found the same photo we have which shows it certainly looks like the church in Caen which you suggested. It’s quite possible it was this photo which my father used for the painting, but making it more atmospheric. It may be a trick of the light but there is almost a shadowy suggestion in the dark sky that he originally might have had an idea to make the tower rise to the top of the panel and a more extreme perspective for the roof.

- REP/PB

Provenance & Events

COMMISSIONED • 1945

by the War Artists' Advisory Committee; Accession number PRSMG : P1115

GIFTED • [date unknown]

The Harris

by the War Artists' Advisory Committee; Accession number PRSMG : P1115

EXHIBITION • 8th Jun 2024

"D-Day 80"

The Guild Hall Foyer

Right panel.

References:

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