Trees | Woods | Forests
Trees as a stand-alone subject occupied Richard’s mind when still a teenager. As he developed he was influenced by Cotman and Cézanne, and trees more often became part of a larger landscape. In his later years he was fascinated by the New Forest on his doorstep and the garden where the small trees had by now had time to grow enormous. He cursed them for creating a green shade to his studio light but loved them nevertheless.
Ponies in the Snow (1987)
oil on board - 40.6h x 61w (cm)
Garden No.2 (1987)
oil on board - 32.5h x 11w (cm)
Forest Trees (1987)
oil on board - 30.5h x 36.8w (cm)
Autumn Sunset (c1987)
oil on board - 39.5h x 60w (cm)
Romsey, Autumn (1985)
oil on board - 33h x 30w (cm)
The Wharfe at Ilkley (1985)
- 29.2h x 35.6w (cm)
Edge of the Forest (1984)
oil on board - 36.6h x 60w (cm)
An Orchard (1984)
oil on board - 25.6h x 35.2w (cm)
Early Autumn, New Forest (1984)
oil on board - 77h x 57w (cm)
The Burning Bush (1984)
oil on board - 80h x 121.5w (cm)
Outlook Through a Window (1984)
oil on board - 59h x 62.3w (cm)
Old Cemetery, Portland (1983)
oil on board - 36.5h x 60.5w (cm)
Spring in the Noads (1983)
oil on board - 30.5h x 40w (cm)
Shadowed Landscape (1983)
oil on board - 19h x 45w (cm)
Green Glade (1983)
oil on board - 60h x 60w (cm)
Garden Fence (1983)
oil on board - 25h x 23w (cm)
Our Back Garden (1983)
oil on board - 55h x 75w (cm)
The Swing (1983)
oil on board - 23h x 30.5w (cm)
Edge of the Wood (1983)
oil on board - 20h x 20w (cm)