Landscapes | Gardens
Landscape painting comes a close second to Richard’s better-known sea pictures. The nature of his treatment of landscape changed from free brush-strokes to tightly organized compositions and then on to a new sort of freedom of style as he matured. There is always a sense of experimentation and often a certain intensity. He never fell back on a “safe” approach.
Good Friday (1966)
- 35.6h x 47w (cm)
The Pond (1966)
oil on canvas - 76h x 101w (cm)
Sunset over the Great West Road (1966)
oil on board - 33h x 52.1w (cm)
Yorkshire Landscape (1965)
oil on board - 30.5h x 41w (cm)
From Haworth, Yorkshire (1965)
oil on canvas - 58.5h x 111.5w (cm)
Calf of Man, Isle of Man (1965)
tempera on board - 34h x 52w (cm)
From a Train (1965)
oil on panel - 10h x 34.5w (cm)
Farne Island, Northumberland (1965)
- 33h x 51w (cm)
The Spire (c1965)
red pencil on paper - 29h x 35w (cm)
Farm in Swaledale (c1965)
oil on canvas - 49h x 57w (cm)
Quarry Remembered (1964)
oil on canvas - 41.3h x 51.3w (cm)
Haworth, Yorkshire (1964)
oil on board - 27.94h x 35.56w (cm)
Extensive Landscape (c1964)
- 40.6h x 50.8w (cm)
Anglesey (1963)
oil and tempera on board - 31.5h x 41.5w (cm)
Old Quarry, Wharfedale (1963)
oil on board - 12.7h x 17.2w (cm)
Lincolnshire Farm (1963)
oil on board - 75h x 126w (cm)
Bowden Hill (1963)
oil on canvas - 51h x 76w (cm)
Studio Window (1963)
oil on board - 122h x 244w (cm)