Panoramas
In an effort to give the effect of a wide horizon Richard sometimes worked on pictures which were narrow from top to bottom but excessively wide from side to side. But he started this idea as early as 1915 (12 years old) when he must have cut paper to this shape in order to paint a scene where his pet rabbit happily grazed near several guinea pigs belonging to his sisters. He still used this format when he was 86 years old.
Still Life with Recorder (1982)
oil on board - 14.6h x 49.5w (cm)
Bradford from Hawksworth (1982)
oil on board - 20.3h x 43.2w (cm)
Breakers (1981)
oil on board - 14h x 50w (cm)
Northern Hill Town (1981)
oil on board - 22.9h x 101.6w (cm)
Fog Lifting (1981)
oil on board - 40.6h x 91.4w (cm)
Autumn, New Forest (1981)
oil on board - 20h x 91w (cm)
Sleeping Pebble (1981)
oil on board - 14.5h x 27.5w (cm)
The Monument (1981)
oil on board - 30h x 60w (cm)
Small White Beach with Bait Diggers (1981)
- 9.5h x 24w (cm)
Beach Huts and Bathers (1981)
oil on board - 40h x 91w (cm)
Mirage (1981)
oil on board - 13h x 49w (cm)
Autumn (Sketch) (1981)
oil on board - 9.5h x 50w (cm)
Solent Horizon (1981)
oil on board - 8.5h x 38.5w (cm)
Rain Landscape (1980)
oil on board - 22.9h x 48.9w (cm)
Stony Beach with Fishers (1980)
oil on board - 46h x 91.5w (cm)
Evening (1980)
oil on board - 40.6h x 91.4w (cm)
Passing Storm, Wharfedale (1980)
oil on board - 40.7h x 91.5w (cm)
Yachts on the Solent (1980)
oil on board - 14.9h x 34.9w (cm)
The Solent (1980)
oil on board
Yachts in a Squall (1980)
oil on board - 29.2h x 64.8w (cm)