Birds Eye View
When still in his teens, Richard created the sweep of Chesil Beach as viewed from an elevated position and in the mid 30s he painted Whitby from high above the sea. This useful tipping up of the earth’s surface served him well in the War (e.g. Air Fight over Portland) when he developed his uncanny ability to visualise a scene from an altered perspective. It serves to distribute detail more evenly and ‘democratises' the subject matter so it has equal weight, unlike the more usual perspective at ground level where near and far objects are very different sizes.
The Cat and Mouse (1929)
pencil on paper - 38.1h x 27.9w (cm)
Ingleborough (Yorkshire) (1923)
watercolour on paper - 13h x 24.5w (cm)
Weymouth Bay (1922)
watercolour on paper
Troops on Parade (c1915)
pen and ink on paper
Planes over the Fleet (c1915)
pen and ink on paper
Sinking Ship and Survivors (1915)
watercolour and ink on paper